Museu da Imagem e do Som do Ceará realiza a exposição “Vermelho Vivo”, uma celebração à liberdade e um grito coletivo de resistência

No ano em que se comemora 50 anos da Revolução dos Cravos em Portugal e se completa 60 anos do golpe militar no Brasil, mostra no MIS-CE integra o FotoFestival SOLAR e reúne trabalhos de 115 criadores que refletem sobre os significados de liberdade e de revolução.

A arte como símbolo de resistência vibrante e corajosa em defesa da democracia é o que apresenta a exposição “Vermelho Vivo – Amor e Revolução”, que entra em cartaz no Museu da Imagem e do Som do Ceará em 12 de dezembro de 2024. Com curadoria de Ângela Berlinde, a mostra reúne artistas e pensadores luso-afro-brasileiros que compõem uma teia complexa e multifacetada, formada por 115 criadores, distribuídos entre 65 artistas visuais, 25 autores e editores, e 25 músicos e bandas. “Vermelho Vivo”, exposição-instalação concebida no contexto do FotoFestival SOLAR,  ocupará diversos espaços do MIS-CE, instituição que integra a Rede Pública de Espaços e Equipamentos Culturais (RECE) da Secretaria da Cultura do Ceará, com gestão parceira do Instituto Mirante de Cultura e Arte.

 

A terceira edição do FotoFestival SOLAR, a ser realizada entre os dias 11 e 15 de dezembro, mostrará a força da fotografia enquanto manifestação artística interligada com outras expressões do mundo das artes. A programação gratuita conta com diversos tipos de atividades a serem promovidas em vários ambientes da RECE. O FotoFestival SOLAR é realizado em uma parceria entre a Secult-CE e o Instituto Mirante de Cultura e Arte.

 

Vermelho Vivo

“Esta é uma exposição eminentemente política porque é eminentemente poética”, explica Ângela Berlinde sobre a mostra que permanecerá em cartaz até 30 de março de 2025. A curadora e artistas como Bárbara Fonte,  David-Alexandre Guéniot, Luísa Sequeira, Shinji Nagabe e Tales Frey estarão na abertura. Para a curadoria, “Vermelho Vivo” é também “uma revolução, uma instalação total que pulsa como um grande órgão, um coração que vibra sem limites e em plena liberdade”.

 

As conexões entre as obras costuram significados entre a história recente de Portugal e do Brasil. “Este é um movimento vital, feito de amor e revolução, que nos convida a revisitar nossas lutas e conquistas, tecendo histórias de coragem e transformação em um manifesto coletivo de liberdade e dignidade. Porque, na essência, a arte é poesia, e o poema é liberdade”, define um trecho do texto curatorial de Ângela Berlinde.

 

Nos caminhos múltiplos pelos quais a “Vermelho Vivo” transita há  destaque para temáticas diversas como a Revolução dos Cravos em Portugal (1974), o golpe militar no Brasil (1964), os momentos de resistência anticolonial em Moçambique, Angola e Guiné-Bissau, o grito das mulheres portuguesas e brasileiras contra a opressão, as pautas LGBTI e as questões indígenas. Como fios condutores dessas obras estão o anseio humano pela liberdade e a busca persistente por lançar luz contra a obscuridade.

 

“Vermelho Vivo” convida o público a vivenciar imagens, poemas, filmes e canções como forma de refletir sobre as ideias de Liberdade e Revolução em um momento de urgência e futuro. Como destaca a curadora, a exposição inflama o valor máximo da liberdade, acentuando a força das lutas e a vibração da revolução. Veja fotos de algumas obras aqui.

 

A mostra abrange um período de criação contemporânea que vai desde o início dos anos 1970 até os dias de hoje, englobando fotografia, cinema, literatura, performance, escultura e instalação. A exposição coletiva ocupará todas as áreas do MIS-CE, incluindo as salas expositivas, a biblioteca, a sala imersiva e as áreas externas, apresentando uma seleção de artistas que celebram a liberdade e a revolução.

 

A obra imersiva, por exemplo, foi concebida por um coletivo de artistas luso-brasileiros e busca na poesia do amazonense Thiago de Mello o convite que remete à luta contínua pela liberdade. “Faz escuro mas eu canto” dá título à obra e proporciona uma experiência sensorial imersiva.

 

O diretor do Museu da Imagem e do Som do Ceará, Silas de Paula, destaca a atualidade dos temas trazidos pela exposição, que entra em cartaz em período no qual se faz ainda mais relevante a defesa contínua e vigilante da democracia. “Ao realizar esta exposição, o MIS-CE, em parceria com o FotoFestival SOLAR, defende que a arte também tem um papel fundamental no cotidiano das pessoas ao trazer questionamentos, levantar inquietações e provocar reflexões diárias sobre a liberdade”, avalia.

 

Imaginário da liberdade

 

 A curadoria de “Vermelho Vivo” apresenta a exposição como um movimento vital, feito de amor e de revolução, que convida a revisitar nossas lutas e conquistas, tecendo as histórias de coragem e a transformação em um manifesto coletivo de liberdade e dignidade.

 

Em um panorama mundial que clama por mudanças, a arte emerge como uma voz de resistência e de transformação. “A arte será sempre, na sua máxima expressão, um gesto político. Ao explorar o imaginário contemporâneo, a exposição nos convida a imaginar futuros”, propõe a curadora. “Precisamos pensar na revolução não como algo nostálgico, mas como algo vivido. Pensar em uma revolução pelo amor”, ressalta.

 

Ângela Ferreira ( aka Berlinde, Porto, 1975 ) é artista, curadora e investigadora em Fotografia, com Pós Doutoramento em Artes e Poéticas Interdisciplinares pelo PPGAV da Escola de Belas Artes da Universidade Federal do Rio de Janeiro. Artisra e Co-fundadora do Festival português Encontros da Imagem, é curadora independente em festivais como a Bienal de Beijing, o Korea International Photo Festival e o Goa Photo. Integra a coordenação do Fotofestival SOLAR desde sua criação e é fundadora do Nervo Observatório dos Fotolivros, plataforma dedicada à reflexão sobre fotolivros portugueses.

 

Imagens, poesia, música e política

 

A intensidade da arte torna-se ainda mais marcante em tempos de ataque às liberdades. Em um contexto político no qual a defesa da democracia se faz urgente, “Vermelho Vivo” é um grito apaixonado, uma resistência vibrante contra as ameaças à liberdade. A exposição dá corpo a uma força que celebra a democracia conquistada em Portugal, a libertação das ex-colônias africanas e, com igual fervor, a coragem do povo brasileiro na luta contra a opressão da ditadura militar.

 

O percurso de “Vermelho Vivo” retorna às metáforas femininas, que são entendidas como cicatrizes visíveis das opressões que teimam em sufocar direitos e desejos das mulheres. “Contudo, nestas travessias, alcançamos novas curvas, onde a natureza e a ancestralidade ressoam como baluartes de proteção, resistência e perenidade. Para seguirmos adiante, será preciso muito mais que sonhos. Serão indispensáveis talismãs e coragem renovada para nos proteger”, destaca Ângela Berlinde.

 

Organizada por capítulos, a mostra traz a euforia do movimento revolucionário português que ocorreu nas ruas de Lisboa, com o filme “As Armas e o Povo” (1975) feito a quente, pelo cineasta Glauber Rocha, o primeiro dos artistas brasileiros que viria a acompanhar ativamente a Revolução dos Cravos.

 

Uma das obras que está na exposição é “1968 o fogo das ideias”, na qual o argentino Marcelo Brodsky atualiza a icônica foto de atrizes brasileiras de mãos dadas e semblante altivo no enfrentamento à censura que a ditadura brasileira impunha ao teatro. A foto emblemática integra o acervo do Jornal do Brasil. O artista traz textos e reflexões poéticas que acompanham as imagens, conferindo profundidade ao relato histórico. “O objetivo é reavivar a memória desse período revolucionário, conectando suas lições às novas gerações por meio de uma linguagem visual e sensorial”, destaca a sinopse.

 

Em outra obra, Soft war, o cartucho de bala transforma-se em batom vermelho. Nela a artista portuguesa Mané Pacheco subverte a ideia de violência ao substituir a destrutiva munição calibre .50 por um batom, mantendo a mesma dimensão. De acordo com a sinopse, “a munição simboliza resistência e luta, enquanto o batom evoca o poder feminino, a liberdade, a sedução e a igualdade de gênero. Referências à revolução não-violenta do “25 de Abril” e ao cravo na ponta da espingarda reforçam a ideia de liberdade e empoderamento. A obra sugere que a luta pela igualdade e liberdade deve continuar”.

 

A poesia da poeta portuguesa Sophia de Mello Breyner também integra a “Vermelho Vivo”. A escritora que traz um manifesto ao “dia inteiro e limpo” propõe-se a explorar o imaginário da liberdade e as estratégias oferecidas pela arte contemporânea para o disputar, deslocar e habitar.

 

“25 de Abril

Esta é a madrugada que eu esperava

O dia inicial inteiro e limpo

Onde emergimos da noite e do silêncio

E livres habitamos a substância do tempo”

  • Sophia de Mello Breyner Andresen, in ‘O Nome das Coisas’

 

A curadoria completa-se com músicas que representam resistência e questionamento. A playlist traz do brasileiro Chico Buarque “Tanto Mar” (1975), em que se destaca a relevância e os novos ventos trazidos pela Revolução dos Cravos, à contemporânea moçambicana Selma Uamusse e “Hoyo Hoyo” (2020). O título significa bem-vindos em changana, uma das três línguas mais faladas em Moçambique. A playlist está disponível aqui.

 

Sobre o MIS-CE

O Museu da Imagem e do Som do Ceará foi fundado em 1980. Em março de 2022, o MIS-CE foi reaberto e vem passando por mudanças significativas que representaram ampliação do espaço, da equipe e das atividades. O MIS-CE é um museu polifônico, com foco na diversidade e na inclusão, no qual se busca pensar por meio das imagens e dos sons, estabelecendo conexões e promovendo experiências compartilhadas.

 

SERVIÇO

Abertura da exposição

Vermelho Vivo – Amor e Revolução

Data: 12 de dezembro de 2024 (quinta-feira)

Horário: 18h

Local: praça do MIS

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